Revisioning Update

After seven weeks of time-scrounging during lunch breaks, after work, and weekends, the second draft of Book 3 in my Spirits of the Earth trilogy is DONE. I'm happy with how it turned out, especially the ending. The final line brings everything back to what I had in mind from the start: a supernatural, post-apocalyptic homage to Milton's Paradise Lost. Once I go over the feedback from my first and favorite reader (Mrs. Fowler), I'll give it another couple rounds of edits, then send it off to my publisher. Aethon Books will be giving this trilogy the fast-release treatment next year, so readers won't have long to wait between installments (in hardcover, paperback, eBook, and audio). It's crazy to think I've been carrying these characters in my head for the past twelve years, and that I'm finally going to be sharing them with the world.

In other news, I signed a contract with Aethon for Book 2 in the Captain Quasar series, which will also be released next year. And I've got a few ideas percolating for a Book 3 that I might start drafting over Christmas break. Stay tuned for details...

The Gifted Ones - Now in Production

I received some good news a couple months ago: Robert Rossmann, who did such a great job producing The Suprahuman Secret audiobook, agreed to produce the sequel as well. But, being the busy guy he is, he said it could be a while before he started sending the audio files for me to approve. So we set December 1 as the start date.

Then, out of the blue yesterday, I received the first 15 minutes of The Gifted Ones. We're officially in production! It's so good to hear Mr. Rossmann embodying my future-noir detective Charlie Madison again, and I can't wait to hear how it all turns out.

Captain Quasar - The Sequel

The novel I finished drafting back in April is now out the door and in the hands of the editorial staff at Aethon Books. No contract yet (stay tuned); for the time being, it feels good just to have this project completed and all polished up. It had to sit patiently on the sidelines over the summer while I drafted Book 3 in my Spirits of the Earth trilogy, but for the past month or so, it's received my undivided attention—as well as my wife's. She's not only my first reader but my first editor to boot, and her constructive critique always steers me toward a much tighter story overall. God definitely knew what He was doing when He brought us together!

The working title is The Mass-Exodus Reversal, and it's a direct sequel to The Space-Time Conundrum that came out four years ago. (Note to self: don't take four years to write the next Captain Quasar misadventure.) What's it about? Here's the blurb-in-progress:

Captain Quasar is on a mission. Centuries have passed since evil Emperor Zhan attacked Earth and sent humankind packing in a mass exodus. Now the human race is scattered throughout the galaxy, and United World Space Command is no more. Captain Bartholomew Quasar and the crew of the Effervescent Magnitude have one purpose: to reunite the descendants of Earth's diaspora and save their planet from the monstrous machines Zhan left behind to ensure Earth's ultimate demise. Quasar and his intrepid crew will have to brave dangerous aliens, killer robots, vicious space pirates, and a mysterious artificial intelligence in order to build the United Earth Fleet and return home, where all new perils await.

10 Years Ago

Hard to believe it's been a decade since I started submitting my short stories for publication. The adventure began when I sold "Hero for Hire" in the fall of 2009. It wasn't published until January 2010, but that first sale really got my blood pumping. And thanks to all the sales that followed, I've been energized to write, submit, and sell my work ever since.

I started writing fiction when I was twelve, but submitting work for publication was never a goal during those early years. As I grew up, got a job, and made less time for my writing, I figured pursuing publication might be something I'd do when I was old (like...forty), or when I retired from teaching. Someday far, far away.

It wasn't until I met my wife, and she encouraged me to submit my work, that I ventured down this path. In 2007 and 2008, I submitted a slew of queries to agents and publishers. I had three novels ready to go, but alas, there were no takers. Then a couple years later, a parent of one of my students suggested the short story market as a way to establish myself as a writer and accumulate some publication credits along the way. I figured I had nothing to lose.

Since then, 120 of my short stories have been published along with a plethora of haiku and microfiction. The success of my short fiction has motivated me to never give up on my longer work. If there's one thing I've learned over the past decade, it's this: somewhere out there is an editor or publisher who will want to share my stories with the world; I just have to find them.

And that goes for my novels, too.

Spirits of the Earth Trilogy - Update

Thanks to my recent 2K/day writing regimen, I finished the first draft of Book 3 in my Spirits of the Earth trilogy this week. 129,000 words in two months is a personal record; the closest I've ever come before was 80,000 in three months, and that was five years ago. In that case as well as this one, I had a publisher already lined up, so I'm thinking that makes a big difference motivation-wise.

As far as genre, this trilogy is a supernatural, post-apocalyptic homage to John Milton's Paradise Lost. There's a lot of action and adventure, plenty of conflict between survivors, and the world expands with each book to include new locations and characters. There's time-jumping without time travel. There are mutants and superpowers but no superheroes. It's the end of the world but the beginning of something exciting and unpredictable.

Redemption is a major theme as characters come to grips with who they are after devastating loss. Stewardship over the earth and its creatures, as well as good overcoming evil, are also central. After the darkness and violence of Book 2, I wanted Book 3 to leave readers on a high note, satisfied with the journey I've taken them on and pleased with the way things turn out for these characters they've been rooting for along the way.

After a few months of revisions, rewrites, and edits, I'll have it all polished up and ready to send to my publisher. Until then, I'm giving it a little space while I figure out a few ways to really make it shine. As a reader, I know what it's like to be disappointed by the final book in a series, and I'm determined not to let that happen with Spirits of the Earth.

40 Stories - 13 Narrators - 1 Audiobook

Now Available:    Amazon    Audible    iTunes

When I found out Unreal Encounters would have thirteen narrators, I had high hopes for an incredible production. Once the mp3 files were ready to review, it took me a couple weeks to listen to them all, and I've got to say, there wasn't a badly produced apple in the bunch. These voice actors are so talented, and they really went the extra mile in bringing this collection of stories to life. It's been an honor to hear them read my work, and I'm so glad I can share it with you now.

New Story Published: "Monochromatic Mandate"

Back in May of last year, I set a goal for myself: write a new short story each day, based on one of the haiku included in my Maikro collection. On day 2, I tackled this one:

monochrome vision | no gray areas allowed | spectrum enforcers 

In "Monochromatic Mandate," I poke fun at politics and social media as well as a potential construction project rumored to break ground in our town for years now. The latest issue of Factor Four Magazine is available to subscribers or can be purchased via Amazon. I hope you enjoy it.

All Aboard the 2K/Day Train

Over the past ten years of this writing adventure, I've had both good days and bad wordcount-wise. I'll never forget the two days I drafted Immaterial Evidence; somehow I managed to write 10K/day! But that's as rare an occurrence as finding a native San Diegan in the city of San Diego.

When I'm in the zone, I can consistently write 1K/day. But I haven't really been in the zone for the past few years. Back in December, I committed to writing daily, even if that was only 300 words per day. I stuck to it, often reaching 500 words on particularly good days. Then I signed my trilogy deal with Aethon. Once I finished polishing up the first two books, it was time to write the third. With After the Sky scheduled to be released in November and Tomorrow's Children a month later, we set December 1 as my due date for Book 3. I would need to write, revise, and edit a 125K novel in 6 months. 1K/day would take four months to complete the draft...but 2K/day would take only two. And then I'd have four months to make it the best it could be prior to my editor's perusal.

How's it going? Well, for the past three weeks, I've managed to schedule a morning 1K writing session followed by an afternoon 1K session. And thanks to that 2K/day regimen, I've got 60K down with only 65K to go! Will I be able to keep it up, going forward? We'll see. One day at a time...

New Story Published: "Absolute Magnitude"

Back in May of last year, I set a goal for myself: write a new short story each day, based on one of the haiku (or scifaiku) included in my Maikro collection. On day 4, I tackled this one:

shipyards on the moon | unexpected holiday | bright supernova

While writing "Absolute Magnitude," I wanted to try something that's a big no-no in flash fiction: cramming it full of too much story. In breaking the rules, I found all the worldbuilding fade into the background behind the real story: the magnificent Ophylia, our devoted anonymous narrator, someone's impending death, and someone else's self-sacrifice. You might even find some political commentary along the way...

I hope you enjoy it.

Two Short Story Sales

I've finally found homes for two of my StoryADay 2018 tales: "Monochromatic Mandate" will be published by Factor Four Magazine this summer, and "Absolute Magnitude" will be available to read at the end of the week, courtesy of Theme of Absence.

"Monochromatic Mandate" is a satirical look at politics and social media in the near future while "Absolute Magnitude" is my attempt at doing what you're never supposed to do in flash fiction: cram a novel's worth of story into four pages. So maybe it's anti-flash fiction...

Besides being extra-short, what qualifies as flash? It tells a story with a beginning, middle, and end; there is some sort of character development; every word counts; and the focus is on one scene. To make things interesting, I usually try to keep my flash-sized stories at exactly 1,000 words, adding and cutting as necessary. 

It's a great exercise for writers, and as an added bonus, flash fiction is an engaging way to capture the imagination of new readers. Who doesn't have four minutes to spare?